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THE RELATIONSHIP BETWEEN MARKETING AND CREATIVITY:
IT'S COMPLICATED

Exploring how creativity and marketing intersect through adaptive teaching - where each lecture becomes a prototype for innovation and engagement

Key Insights

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Theoretical Integration

Bridges established creativity frameworks from Keith Sawyer and sociocultural perspectives from Beghetto & Kaufman with practical teaching methodologies, demonstrating how academic theory informs real-world pedagogical innovation.

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Adaptive Teaching as Prototype

Each lecture functions as an iterative prototype—requiring real-time adjustments, continuous observation, and strategic content prioritization. This mirrors the creative process in marketing where consumer feedback shapes outcomes.

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Creativity as Socially Situated

Emphasizes creativity not as individual genius but as a socially embedded phenomenon, shaped by context, audience, and cultural relevance—applicable to both educational settings and marketing strategies.

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Engagement Through Relevance

Demonstrates how simplifying complex concepts and connecting them to contemporary Norwegian business examples increases student engagement—a principle equally vital in marketing communication and creative content design.

Abstract

This reflection paper explores the intricate relationship between marketing and creativity through the lens of adaptive teaching practices. Drawing on established theoretical frameworks from Keith Sawyer's research on creativity and sociocultural perspectives from Beghetto and Kaufman, this work examines how educators—like marketers—must continuously innovate, adapt, and engage their audiences in unpredictable environments.

The paper is grounded in a pedagogical experiment conducted as part of the Communication, Design, and Learning program at the University of Oslo's Faculty of Educational Sciences, where I delivered a guest lecture on the relationship between marketing and creativity.

This experience revealed how teaching itself mirrors marketing: both require strategic simplification of complex ideas, real-time responsiveness to audience feedback, and the creative balancing of theoretical depth with practical relevance.

By analyzing my adaptive teaching methods—prioritizing creative topics, omitting less relevant material, and connecting concepts to contemporary Norwegian business examples—this reflection highlights how creativity in education functions as a socially situated phenomenon, shaped by context, cultural norms, and audience needs.

The paper concludes by drawing a compelling parallel: just as marketers must iterate and prototype their campaigns, educators must treat each lecture as an evolving creative project. This perspective positions teaching as a dynamic, creative profession requiring the same innovation, adaptability, and audience awareness central to effective marketing.

This work contributes to ongoing discussions about the role of creativity in professional practice, demonstrating how interdisciplinary insights—from marketing theory to educational design—can enrich our understanding of innovation, engagement, and human connection.

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Reflection Paper PDF

Download the complete academic reflection paper

📥 Download Full PDF
📄 2 pages
💾 0.2 MB
📅 October 2025

REFERENCES

01
Beghetto, R. A., & Kaufman, J. C.
Classroom contexts for creativity
Department of Educational Psychology, Neag School of Education, University of Connecticut, Storrs, CT, United States, 2014
02
Sawyer, R. K.
Explaining creativity: The science of human innovation (2nd ed.)
Oxford University Press, 2012
03
Taillard, M., & Voyer, B.
The relationship between marketing and creativity: It's complicated
Cambridge University Press, 2017
Lila Fredrika Blom Written by

Lila Fredrika Blom

Master's Student • Communication, Design and Learning (KDL)

Lila Fredrika Blom is an educator and researcher exploring the intersection of creativity, marketing, and adaptive teaching practices. With 10 years of teaching experience and 5 years running her own music school, her work examines how creative professionals navigate the complexities of innovation, engagement, and audience connection.

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